Robertson Davies Net Worth

Robertson Davies was a renowned Canadian playwright, author, journalist, professor and one of the founding members of Massey College. He was a Booker Prize-nominee and wrote a number of books, plays and articles throughout his lifetime. His works include 'What's Bred in the Bone', 'Leaven of Malice', 'World of Wonders', 'Murther and Walking Spirits' and 'The Cunning Man'. He was known for his eloquence and wit, and was fondly referred to as the 'man of letters'. His works continue to inspire a number of budding novelists and playwrights today.
Robertson Davies is a member of Writers

Age, Biography and Wiki

Who is it? Author and Journalist
Birth Day August 28, 1913
Birth Place Thamesville, Canadian
Age 107 YEARS OLD
Died On 2 December 1995(1995-12-02) (aged 82)\nOrangeville, Ontario, Canada
Birth Sign Virgo
Occupation Journalist, playwright, professor, critic, novelist
Alma mater Queen's University (did not graduate) Balliol College, Oxford
Genre novels, plays, essays and reviews
Notable works The Deptford Trilogy, The Cornish Trilogy, The Salterton Trilogy
Spouse Brenda Ethel Davies (m. 1940, 1917–2012)
Children Jennifer Surridge, Miranda Davies, Rosamond Bailey

💰 Net worth: $12 Million (2024)

Robertson Davies, celebrated as both an author and journalist in Canada, is expected to possess a net worth of approximately $12 million in 2024. Renowned for his literary contributions, Davies' exceptional storytelling ability and profound insight have garnered him widespread acclaim and a dedicated following. Throughout his illustrious career, he has published numerous acclaimed works, captivating readers with his mastery of words and his ability to delve into the intricacies of human nature. As an esteemed figure in Canadian literature, Robertson Davies' legacy continues to endure, securing him financial success and an esteemed position within the literary landscape.

Some Robertson Davies images

Biography/Timeline

1917

Davies was married to Brenda Ethel Davies (1917–2012) in 1940 and survived by four grandchildren and three great-grandchildren from his three daughters Miranda Davies, Rosamond Bailey and author Jennifer Surridge.

1926

He spent his formative years in Renfrew, Ontario (Blairlogie in his novel What's Bred in the Bone); many of the novel's characters are named after families he knew there. He attended Upper Canada College in Toronto from 1926 to 1932 and while there attended services at the Church of St. Mary Magdalene. He would later leave the Presbyterian Church and join Anglicanism over objections to Calvinist theology. Davies later used his experience of the ceremonial of High Mass at St. Mary Magdalene's in his novel The Cunning Man.

1932

After Upper Canada College, he studied at Queen's University at Kingston, Ontario from 1932 until 1935. At Queen's, he was enrolled as a special student not working towards a degree, and wrote for the student paper, The Queen's Journal. He left Canada to study at Balliol College, Oxford, where he received a BLitt degree in 1938. The next year he published his thesis, Shakespeare's Boy Actors, and embarked on an acting career outside London. In 1940, he played small roles and did literary work for the Director at the Old Vic Repertory Company in London. Also that year, Davies married Australian Brenda Mathews, whom he had met at Oxford, and who was then working as stage manager for the theatre. They spent their honeymoon in the Welsh countryside at Fronfraith Hall, Abermule, Montgomery; the family house owned by Rupert Davies.

1940

Davies and his new bride returned to Canada in 1940, where he took the position of literary Editor at Saturday Night magazine. Two years later, he became Editor of the Peterborough Examiner in the small city of Peterborough, Ontario, northeast of Toronto. Again he was able to mine his experiences here for many of the characters and situations which later appeared in his novels and plays.

1942

During his tenure as Editor of the Examiner, which lasted from 1942 to 1955 (he subsequently served as publisher from 1955 to 1965), Davies published a total of 18 books, produced several of his own plays, and wrote articles for various journals. For Example, Davies set out his theory of acting in his Shakespeare for Young Players (1947), and then put theory into practice when he wrote Eros at Breakfast, a one-act play which was named best Canadian play of the year by the 1948 Dominion Drama Festival.

1949

Eros at Breakfast was followed in close succession by Fortune, My Foe in 1949 and At My Heart's Core, a three-act play, in 1950. Meanwhile, Davies was writing humorous essays in the Examiner under the pseudonym Samuel Marchbanks. Some of these were collected and published in The Diary of Samuel Marchbanks (1947), The Table Talk of Samuel Marchbanks (1949), and later in Samuel Marchbanks' Almanack (1967). An omnibus edition of the three Marchbanks books, with new notes by the author, was published under the title The Papers of Samuel Marchbanks in 1985.

1950

During the 1950s, Davies played a major role in launching the Stratford Shakespearean Festival of Canada. He served on the Festival's board of governors, and collaborated with the Festival's Director, Sir Tyrone Guthrie, in publishing three books about the Festival's early years.

1951

Although his first love was drama and he had achieved some success with his occasional humorous essays, Davies found his greatest success in fiction. His first three novels, which later became known as The Salterton Trilogy, were Tempest-Tost (1951, originally drafted as a play), Leaven of Malice (1954) which won the Stephen Leacock Award for Humour, and A Mixture of Frailties (1958). These novels explored the difficulty of sustaining a cultural life in Canada, and life on a small-town newspaper, subjects of which Davies had first-hand knowledge.

1960

In 1960, Davies joined Trinity College at the University of Toronto, where he would teach literature until 1981. The following year he published a collection of essays on literature, A Voice From the Attic, and was awarded the Lorne Pierce Medal for his literary achievements.

1963

In 1963, he became the Master of Massey College, the University of Toronto's new graduate college. During his stint as Master, he initiated a tradition of writing and telling ghost stories at the yearly Christmas celebrations. His stories were later collected in the book, High Spirits (1982).

1970

Davies drew on his interest in Jungian psychology to create Fifth Business (1970), a novel that relies heavily on Davies' own experiences, his love of myth and magic and his knowledge of small-town mores. The narrator, like Davies, is of immigrant Canadian background, with a father who runs the town paper. The book's characters act in roles that roughly correspond to Jungian archetypes according to Davies' belief in the predominance of spirit over the things of the world.

1972

Davies built on the success of Fifth Business with two more novels: The Manticore (1972), a novel cast largely in the form of a Jungian analysis (for which he received that year's Governor General's Literary Award), and World of Wonders (1975). Together these three books came to be known as The Deptford Trilogy.

1981

When Davies retired from his position at the university, his seventh novel, a satire of academic life, The Rebel Angels (1981), was published, followed by What's Bred in the Bone (1985) which was short-listed for the Booker Prize for fiction in 1986. The Lyre of Orpheus (1988) follows these two books in what became known as The Cornish Trilogy.

1991

During his retirement from academe he continued to write novels which further established him as a major figure in the literary world: Murther and Walking Spirits (1991) and The Cunning Man (1994). A third novel in what would have been a further trilogy – the Toronto Trilogy – was in progress at the time of Davies' death. He also realized a long-held dream when he penned the libretto to an opera: The Golden Ass, based on The Metamorphoses of Lucius Apuleius, just like that written by one of the characters in Davies' 1958 A Mixture of Frailties. The opera was performed by the Canadian Opera Company at the Hummingbird Centre in Toronto, in April 1999, several years after Davies' death.

2014

Davies was a fine public speaker—deft, often humorous, and unafraid to be unfashionable. Often asked if he used a computer, Davies said in 1987: "I don't want a word-processor. I process my own words. Helpful people assure me that a word-processor would save me a great deal of time. But I don't want to save time. I want to write the best book I can, and I have whatever time it takes to make that attempt." In its obituary, The Times wrote: "Davies encompassed all the great elements of life...His novels combined deep seriousness and psychological inquiry with fantasy and exuberant mirth." He remained close friends with John Kenneth Galbraith, attending Galbraith's eighty-fifth birthday party in Boston in 1993, and became so close a friend and colleague of the American Novelist John Irving that Irving gave one of the scripture readings at Davies' funeral in Trinity College, Toronto chapel. He also wrote in support of Salman Rushdie when the latter was threatened by a fatwā from Ayatollah Ruhollah Khomeini of Iran in reaction to supposed anti-Islam expression in his novel The Satanic Verses.