Richard Fleischer Net Worth

Richard Fleischer was an American director and producer born in Brooklyn, New York City on December 8, 1916. He was best known for his work on films such as Soylent Green (1973), The Vikings (1958) and Red Sonja (1985). He was married to Mary Dickson and passed away on March 25, 2006 in Woodland Hills, Los Angeles, California.
Richard Fleischer is a member of Director

Age, Biography and Wiki

Who is it? Director, Producer, Writer
Birth Day December 08, 1916
Birth Place  Brooklyn, New York City, New York, United States
Age 104 YEARS OLD
Died On March 25, 2006(2006-03-25) (aged 89)\nWoodland Hills, California
Birth Sign Capricorn
Occupation Film director
Years active 1943–1987
Spouse(s) Mary Dickson

💰 Net worth: $14 Million (2024)

Richard Fleischer, a renowned Director, Producer, and Writer in the United States, is reported to have an estimated net worth of around $14 Million in 2024. Recognized for his exceptional contributions to the film industry, Fleischer has amassed his wealth through his numerous successful projects over the years. With a career spanning several decades, he has directed and produced notable films that have made a significant impact in the industry. Richard Fleischer's incredible talent, creativity, and dedication have not only earned him recognition but substantial financial success as well.

Some Richard Fleischer images

Biography/Timeline

1942

His film career began in 1942 at the RKO studio, directing shorts, documentaries, and compilations of forgotten silent features, which he called "Flicker Flashbacks". He won an Academy Award as Producer of the 1947 documentary Design for Death, co-written by Theodor Geisel (later known as Dr. Seuss), which examined the cultural forces that led to Japan's imperial expansion through World War II.

1946

Fleischer moved to Los Angeles and was assigned his first feature, Child of Divorce (1946), a vehicle for Sharyn Moffett. It was successful so Fleischer was assigned to another Moffett vehicle, Banjo, which was a disaster.

1948

His other early films were taut film noir thrillers such as Bodyguard (1948), Follow Me Quietly (1949), Armored Car Robbery (1950), and The Narrow Margin (1952).

1952

RKO's owner, Howard Hughes, was impressed by The Narrow Margin and hired Fleischer to re-shoot portions of His Kind of Woman (1952). Hughes was pleased with the results and agreed to loan out Fleischer to Stanley Kramer to make The Happy Time (1952).

1954

In 1954, he was chosen by Walt Disney (his father's former rival as a cartoon producer) to direct 20,000 Leagues Under the Sea starring Kirk Douglas, James Mason, Paul Lukas, and Peter Lorre. While doing post production for the film, Fleischer received an offer from Dore Schary at MGM to direct Bad Day at Black Rock but had to turn it down because of all the post production work still required on Leagues.

1955

Fleischer's first film under his new contract with Fox was The Girl in the Red Velvet Swing (1955). He then made Bandido, a Western with Robert Mitchum.

1958

Kirk Douglas hired Fleischer to make The Vikings (1958), which was another big hit. Back at Fox, Fleischer made Compulsion (1959), a crime drama with Orson Welles for Producer Richard D. Zanuck. It was successful and earned Fleischer a Directors Guild Award nomination.

1960

Fox offered him a movie with John Wayne, North to Alaska which Fleischer originally agreed to do, but pulled out of when he was unhappy with the script. He moved to Paris where Darryl F. Zanuck asked him to make The Ballad of Red Rocks, a vehicle for Zanuck's then-girlfriend Juliette Greco. The film was not made but Fleischer instead directed two other stories for Zanuck starring Greco, Crack in the Mirror (1960) and The Big Gamble (1961).

1962

Fleischer then signed a contract with Dino de Laurentiis to make Barabbas (1962). After that, he and de Laurentiis announced a series of projects, including Lanny Budd (from a novel by Upton Sinclair), Don Camillo, Salvatore Guliano, Dark Angel and Sacco and Vanzetti (from a script by Edward Anhalt), but none were made.

1966

Back in Hollywood, Richard Zanuck had become head of production at Fox and offered Fleischer Fantastic Voyage (1966). It was a success and resurrected his Hollywood career.

1967

He was entrusted with Fox's big "roadshow" musical of 1967, Doctor Dolittle (1967), with Rex Harrison. It was popular but failed to recoup its enormous cost. Most acclaimed was The Boston Strangler (1968), with Tony Curtis.

1969

Che! (1969), a biopic of Che Guevera that starred Omar Sharif, was an expensive flop, as was an account of the attack on Pearl Harbor, Tora! Tora! Tora! (1970). This was his last film for 20th Century Fox.

1971

See No Evil (1971) with Mia Farrow was another thriller. In Hollywood, he made The New Centurions (1972) from the novel by Joseph Wambaugh, again starring George C. Scott.

1973

At MGM, he made a science-fiction film, Soylent Green (1973), with Charlton Heston. Action films followed: The Don Is Dead (1973), with Anthony Quinn, plus two for Walter Mirisch: The Spikes Gang (1974), with Lee Marvin and Mr. Majestyk (1974), with Charles Bronson, written by Elmore Leonard.

1975

He was reunited with De Laurentiis for the popular, if controversial, Mandingo (1975). The Incredible Sarah (1976) was a British biopic of Sarah Bernhardt with Glenda Jackson.

1977

The Prince and the Pauper (1977) was a version of the Mark Twain novel that featured Heston, Harrison and Scott in its cast. Fleischer was then hired to replace Richard Sarafian on Ashanti (1979), starring Michael Caine, which turned out to be a flop. He received another call to replace a Director, in this case Sidney J. Furie, on The Jazz Singer (1980), an unsuccessful attempt to make a film star out of Neil Diamond.

1983

Tough Enough (1983) was about the Toughman Contest starring Dennis Quaid. He made three more for de Laurentiis, Amityville 3-D (1983), Conan the Destroyer (1984) and Red Sonja (1985).

1987

His final theatrical feature was Million Dollar Mystery (1987).

1993

Fleischer's 1993 autobiography, Just Tell Me When to Cry, described his many difficulties with actors, Writers and producers.

2005

Fleischer was chairman of Fleischer Studios, which today handles the licensing of Betty Boop and Koko the Clown. In June 2005, he released his memoirs of his father's career in Out of the Inkwell: Max Fleischer and the Animation Revolution.