| Who is it? | Cinematographer, Actor, Camera Department |
| Birth Day | September 22, 1936 |
| Birth Place | Brooklyn, New York City, New York, United States |
| Age | 87 YEARS OLD |
| Birth Sign | Libra |
| Occupation | Cinematographer |
| Board member of | ASC President (1997–1998) |
| Spouse(s) | Mona Lindholm (m. 1964) |
| Children | 1 |
Owen Roizman, a renowned name in the field of cinematography, is believed to have an estimated net worth ranging from $100,000 to $1 million by the year 2024. Hailing from the United States, Roizman has made significant contributions to the film industry, not only as a cinematographer but also as an actor and member of the camera department. With a successful career spanning decades, his talent and expertise have earned him a substantial financial standing in the industry. As an accomplished professional, Roizman has played an instrumental role in bringing many visually stunning and critically acclaimed films to life, solidifying his reputation as one of the leading figures in his field.
Throughout the 1970s, he also worked on Play It Again, Sam (1972), The Heartbreak Kid (1972), The Exorcist (1974), Three Days of the Condor (1975), and Network (1976), among others, garnering Academy Award nominations for Best Cinematography for The Exorcist and Network. Roizman received two more Academy Award nominations, for Wyatt Earp (1994) and Tootsie (1982). His final film was Lawrence Kasdan's French Kiss (1995).
He was a member of the Board of Governors of the Academy of Motion Picture Arts and Sciences from 2002 to 2011, representing the Cinematographers Branch, and was a member of the American Society of Cinematographers (ASC). Roizman was ASC President from 1997 to 1998 and served on its board. He received an Academy Honorary Award at the 9th Governors Awards ceremony in 2017.
