John Frankenheimer Net Worth

John Frankenheimer was born in Queens, New York City and initially wanted to become a professional tennis player. However, he soon realized his natural talent for handling a camera and began a career in television in 1953. He eventually started directing the show he was working on and went on to direct 152 live television shows between 1954 and 1960. Despite his success in television, he decided to take a chance and move to the cinema industry, working with Burt Lancaster in The Young Savages (1961). He went on to become a successful filmmaker, expressing his views on important social and philosophical topics in his films.
John Frankenheimer is a member of Director

Age, Biography and Wiki

Who is it? Director, Miscellaneous Crew, Producer
Birth Day February 19, 1930
Birth Place  Queens, New York City, New York, United States
Age 90 YEARS OLD
Died On July 6, 2002(2002-07-06) (aged 72)\nLos Angeles, California, U.S.
Birth Sign Pisces
Cause of death Stroke complicated by spinal surgery
Occupation Film director
Years active 1948–2002
Spouse(s) Joanne Frankenheimer (divorced) Carolyn Miller (1954–62; divorced), 2 children Evans Evans (1963–2002; his death)

💰 Net worth: $14 Million (2024)

John Frankenheimer, a prominent figure in the United States film industry, has amassed a significant net worth of $14 Million by 2024. Known for his versatile career as a director, miscellaneous crew member, and producer, Frankenheimer has left an indelible mark on the world of cinema. With a wide range of successful projects under his belt, his talent and creativity have garnered both critical acclaim and commercial success. His exceptional contributions have not only solidified his position as a notable figure in the industry but also positioned him as a financial force to be reckoned with.

Some John Frankenheimer images

Biography/Timeline

1947

He grew up in New York City and became interested in movies at an early age; he recalled going to the cinema every weekend. In 1947, he graduated from La Salle Military Academy in Oakdale, Long Island, New York. In 1951, he graduated from Williams College in Williamstown, Massachusetts, where he had studied English. He also developed an interest in acting as a career while in college but began thinking seriously about directing when he was in the Air Force.

1950

Frankenheimer began his directing career in live television at CBS. Throughout the 1950s he directed over 140 episodes of shows like Playhouse 90, Climax!, and Danger, including The Comedian, written by Rod Serling and starring Mickey Rooney as a ragingly vicious television Comedian.

1957

Frankenheimer's first theatrical film was The Young Stranger (1957), starring James MacArthur as the rebellious teenage son of a powerful Hollywood movie Producer. He directed the production, based on a Climax! episode, "Deal a Blow", which he directed when he was 26. Frankenheimer returned to television during the late 1950s, moving to film permanently in 1961 with The Young Savages, in which he worked for the first time with Burt Lancaster in a story of a young boy murdered by a New York gang. His departure from television is considered to signal the end of the Golden Age of Television.

1960

Movie critic Leonard Maltin writes that "in his time [1960s]... Frankenheimer worked with the top Writers, producers and actors in a series of films that dealt with issues that were just on top of the moment—things that were facing us all."

1962

Frankenheimer became a close friend of Senator Robert F. Kennedy during the making of The Manchurian Candidate in 1962. In 1968, Kennedy asked Frankenheimer to make some commercials for use in the presidential campaign, at which he hoped to become the Democratic candidate. On the night he was assassinated in June 1968, it was Frankenheimer who had driven Kennedy from the Los Angeles Airport to the Ambassador Hotel for his acceptance speech.

1964

The Train (1964) had already begun shooting in France when star Lancaster had Arthur Penn the original Director fired and called in Frankenheimer to save the film. As he recounts in the Champlin book, Frankenheimer used the production's desperation to his advantage in negotiations. He demanded and got the following: his name was made part of the title, John Frankenheimer's The Train.

1966

Frankenheimer followed Seconds with his most spectacular production, 1966's Grand Prix. Shot on location at the Grand Prix races throughout Europe, using 65mm Cinerama cameras, the film starred James Garner and Eva Marie Saint. The making was a race itself, as John Sturges and Steve McQueen planned to make a similar movie titled Day of the Champion.

1967

Frankenheimer's next film, 1967's all-star anti-war comedy The Extraordinary Seaman, starred David Niven, Faye Dunaway, Alan Alda and Mickey Rooney. The film was a failure at the box office and critically. Frankenheimer calls it in the Champlin book "the only movie I've made which I would say was a total disaster."

1968

Then came 1968's The Fixer, about a Jew in Tsarist Russia and based on the novel by Bernard Malamud. The film was shot in Communist Hungary. It starred Alan Bates and was not a major success, but Bates was nominated for an Oscar.

1970

Frankenheimer followed this with I Walk the Line in 1970. The film, starring Gregory Peck and Tuesday Weld, about a Tennessee sheriff who falls in love with a moonshiner's daughter, was set to songs by Johnny Cash. Frankenheimer's next project took him to Afghanistan. The Horseman focused on the relationship between a father and son, played by Jack Palance and Omar Sharif. Sharif's character, an expert horseman, played the Afghan national sport of buzkashi.

1973

Impossible Object, also known as Story of a Love Story, suffered distribution difficulties and was not widely released. Next came a four-hour film of O'Neill's The Iceman Cometh, in 1973, starring Lee Marvin, and the decidedly offbeat 99 and 44/100% Dead, a crime black comedy starring Richard Harris.

1976

With his fluent French and knowledge of the culture, Frankenheimer was asked to direct French Connection II, set entirely in Marseille. With Hackman reprising his role as New York cop Popeye Doyle, the film was a success and got Frankenheimer his next job. Black Sunday, based on author Thomas Harris's only non-Hannibal Lecter novel, involves an Israeli Mossad agent (Robert Shaw), chasing a pro-Palestinian terrorist (Marthe Keller) and a disgruntled Vietnam vet (Bruce Dern), who plan to blow up the Goodyear blimp over the Super Bowl. It was shot on location at the actual Super Bowl X in January 1976 in Miami, with the use of a real Goodyear Blimp. The film tested very highly, and Paramount and Frankenheimer had high expectations for it but it was not a hit.

1979

Frankenheimer is quoted in Champlin's biography as saying that his alcohol Problem caused him to do work that was below his own standards on Prophecy (1979), an ecological Monster movie about a mutant grizzly bear terrorizing a forest in Maine.

1980

Most of his 1980s films were less than successful, both critically and financially, but Frankenheimer was able to make a comeback in the 1990s by returning to his roots in television. He directed two films for HBO in 1994: Against the Wall and The Burning Season that won him several awards and renewed acclaim. The Director also helmed two films for Turner Network Television in 1996 and 1997, Andersonville and George Wallace, that were highly praised.

1981

In 1981, Frankenheimer travelled to Japan to shoot the cult martial-arts action film The Challenge, with Scott Glenn and legendary Japanese star, Toshiro Mifune. He tells Champlin that his drinking became so severe while shooting in Japan that he actually drank on set, which he had never done before, and as a result he entered rehab on returning to America. The film was released in 1982, along with his HBO television adaptation of the acclaimed play The Rainmaker.

1985

In 1985, Frankenheimer directed an adaptation of the Robert Ludlum bestseller The Holcroft Covenant, starring Michael Caine. That was followed the next year with another adaptation, 52 Pick-Up, from the novel by Elmore Leonard. Dead Bang (1989) followed Don Johnson as he infiltrated a group of white supremacists. In 1990, he returned to the Cold War political thriller genre with The Fourth War with Roy Scheider (with whom Frankenheimer had worked previously on 52 Pick-Up) as a loose cannon Army colonel drawn into a dangerous personal war with a Russian officer. It was not a commercial success.

1988

The film was unseen, either theatrically or on broadcast, for many years. Urban legend has it that the film was pulled from circulation due to the similarity of its plot to the death of President Kennedy the following year, but Frankenheimer states in the Champlin book that it was pulled because of a legal battle between the Producer, Sinatra, and the studio over Sinatra's share of the profits. In any event, it was re-released to great acclaim in 1988.

1990

Frankenheimer won four consecutive Emmy Awards in the 1990s for the television movies Against the Wall, The Burning Season, Andersonville, and George Wallace, which also received a Golden Globe award. He was considered one of the last remaining Directors who insisted on having complete control over all elements of production, making his style unique in Hollywood.

1996

Frankenheimer's 1996 film The Island of Doctor Moreau, which he took over half a week into production from Richard Stanley, was the cause of countless stories of production woes and personality clashes and received scathing reviews. It was said that the veteran Director could not stand Val Kilmer, the young co-star of the film. When Kilmer's last scene was completed it was reported that Frankenheimer said, "Now get that bastard off my set." In an interview, Frankenheimer refused to discuss the film, saying only that he had a miserable time making it. Frankenheimer also professed that "Will Rogers never met Val Kilmer".

1998

However, his next film, 1998's Ronin, starring Robert De Niro, was a return to form, featuring Frankenheimer's now trademark elaborate car chases woven into a labyrinthine espionage plot. Co-starring an international cast including Jean Reno and Jonathan Pryce, it was a critical and box-office success. As the 1990s drew to a close, he even had a rare acting role, appearing in a cameo as a U.S. General in The General's Daughter (1999). He earlier had an uncredited cameo as a TV Director in his 1977 film Black Sunday.

2000

Frankenheimer's last theatrical film, 2000's Reindeer Games, starring Ben Affleck, underperformed. But then came his final film, Path to War for HBO in 2002, which brought him back to his strengths – political machinations, 1960s America and character-based drama, and was nominated for numerous awards. A look back at the Vietnam War, it starred Michael Gambon as President Lyndon Johnson along with Alec Baldwin and Donald Sutherland. One of Frankenheimer's last projects was the 2001 BMW action short-film Ambush for the promotional series The Hire, starring Clive Owen.

2002

Frankenheimer is also a member of the Television Hall of Fame, and was inducted in 2002.