While at the Arts Theatre, she periodically returned to "commercial" theatre, playing Rose in The Recruiting Officer (1943) and Nora in A Doll's House (1945). As Ellie, in the revival by Californian John Fernald of Shaw's Heartbreak House (1950), she revealed, one critic wrote, "an enchanting combination of youth and firmness. Her broken heart never ceased to glint through her mask of ice". Her shapely legs and green eyes figured prominently in West End plays by Ivor Novello, N. C. Hunter and Robert Morley.