| Who is it? | Actor |
| Birth Day | September 28, 1881 |
| Birth Place | New York City, New York, United States |
| Age | 138 YEARS OLD |
| Died On | September 16, 1950(1950-09-16) (aged 68)\nSunland, California, USA |
| Birth Sign | Libra |
| Resting place | Holy Cross Cemetery, Culver City |
| Occupation | Actor |
| Years active | 1901–1951 |
| Spouse(s) | Eleanor M. Nolan (1928–?) Antoinette Glover (?–1921) (her death) |
Pedro de Cordoba, a well-known actor in the United States, is projected to have a net worth ranging from $100,000 to $1 million by 2024. With a successful career spanning several years in the entertainment industry, Pedro has made significant strides and gained recognition for his exceptional talent and dedication. His impressive net worth is a testament to his hard work and commitment to his craft, solidifying his position as a sought-after actor in the American film industry.
De Cordoba was born in New York City to parents who were French and Cuban in origin. He was a classically trained theatre actor who confessed he did not enjoy appearing in silent films nearly as much as he liked working on stage, but his career during the silent film era was extensive. His first film was Cecil B. DeMille's version of Carmen (1915), and he soon became a popular leading man in Hollywood. His Broadway career cast him with such stage actresses as Jane Cowl and Katharine Cornell.
Later, his deeply resonant speaking voice made him perfectly suited to talking pictures, and his film career continued, unlike many silent film stars. He enjoyed a career as a busy character actor in Hollywood, from the 1930s through to the end of his life. He was most often cast as aristocratic, or clerical characters of Hispanic origin, as in The Keys of the Kingdom (1944), because of his last name as well as his royal bearing. On rare occasions, he would be cast in the role of a villain. His "living skeleton" sideshow character hides fugitive Robert Cummings (and Priscilla Lane) in his carnival wagon overnight in the Alfred Hitchcock film Saboteur (1942).
He was a devout Catholic and was very well read and knowledgeable about the Catholic faith, and served for a time as President of the Catholic Actors Guild of America. The last film in which he appeared, a political drama set in an unnamed South American dictatorship, Crisis (1950), was released shortly after his death.
