Neil Burgess Net Worth

Neil Burgess was a prolific actor and miscellaneous crew member born in 1846. He is best known for his work on the films Number One, Longing. Number Two, Regret (2004), Waking the Dead (2000) and Life Begins (2004). He was a highly respected figure in the film industry and his work is still remembered today.
Neil Burgess is a member of Actor

Age, Biography and Wiki

Who is it? Actor, Miscellaneous Crew
Birth Year 1846
Age 173 YEARS OLD
Died On 1910
Occupation Vaudeville comedian

💰 Net worth

Neil Burgess, a renowned actor and multi-talented individual, held an estimated net worth ranging from $100K to $1M in the year 2024. Born in the year 1846, Burgess has had a long and illustrious career in the entertainment industry, captivating audiences with his exceptional acting skills. Throughout his journey, he has also explored various roles as a miscellaneous crew member, showcasing his versatility and dedication to his craft. With his immense talent and years of experience, it is no surprise that Burgess has achieved significant financial success in his career.

Some Neil Burgess images

Biography/Timeline

1872

Burgess debuted in New York as a solo Artist in 1872 under produce Tony Pastor, when he was billed as an "Ethiopian Comedian". His first role as a female impersonator came in 1877 in The Coming Woman for the Theatre Comique of Edward Harrigan and Tony Hart. He was soon recognized as one of the leading female impersonators, successively playing women's parts in vaudeville. By the 1880s, he took several such roles in The Widow and the Elder, Betsey Bobbet: A Drama (later renamed Vim), and the County Fair. His greatest success was Widow Bedott in 1879. He also produced and starred as Auntie Abigail Prue in Charles Barnard's play The County Fair in 1889. George C. Odell later reflected on these roles: "I still see him as Widow Bedott in the kitchen, making pies, straightening out the affairs of the neighborhood and personifying, in spite of his sex, the attribuates of a managing woman. He was not the least bit effeminate, not at all like the usual female impersonator of minstrelsy or of variety, and yet he was Widow Bedott to the life, and with little suggestion of burlesque."