In 1980, Lucille Clifton published “homage to my hips” in her book of poems, Two-Headed Woman. Two-Headed Woman won the 1980 Juniper Prize and was characterized by its "dramatic tautness, simple language … tributes to blackness, [and] celebrations of women", which are all traits reflected in the poem "homage to my hips". This particular collection of poetry also marks the beginning of Clifton’s interest in depicting the “transgressive black body.” "Homage to my hips" was preceded by the poem "homage to my hair" – and acts as a complementary work that explores the relationship between African-American women and men and aimed to reinvent the negative stereotypes associated with the black female body. "Homage to my hips" and "homage to my hair" both relate the African-American body to mythological powers – a literary technique Common among many literary works by African American women. Jane Campbell poses the idea that "the specific effect of mythmaking upon race relations … constitutes a radical act, inviting the audience to subvert the racist mythology that thwarts and defeats Afro-Americans, and to replace it with a new mythology rooted in the black perspective." Therefore, Clifton utilizes "homage to my hips" to celebrate the African-American female body as a source of power, sexuality, pride, and freedom.