Cuno Amiet Net Worth

Cuno Amiet was a renowned Swiss artist of the 19th century, known for his modernist paintings, illustrations, graphics, and sculptures. He was a member of the German expressionist group "Brucke" and his work was heavily influenced by expressionism. He created over 4000 paintings, including 1000 portraits, and his work was characterized by a brilliant palette and a loose technique. His career spanned over 70 years and three centuries, and he was influenced by painters such as Ferdinand Hodler, while still maintaining his own individual style.
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Age, Biography and Wiki

Who is it? Painter, illustrator, graphic artist, sculptor
Birth Day March 28, 1868
Birth Place Solothurn, Swiss
Age 151 YEARS OLD
Died On 6 July 1961(1961-07-06) (aged 93)\nOschwand
Birth Sign Aries
Education Academy of Fine Arts Munich
Known for Painting, graphic arts, illustration, sculpture
Movement Expressionism

💰 Net worth

Cuno Amiet, a Swiss artist widely recognized for his talent as a painter, illustrator, graphic artist, and sculptor, is projected to have a net worth ranging from $100,000 to $1 million in 2024. Amiet's diverse artistic abilities have garnered him considerable acclaim and success throughout his career. His innovative and vibrant creations often showcase his profound understanding of color, form, and composition. With his exceptional skills and artistic vision, it comes as no surprise that Cuno Amiet has not only contributed significantly to the art world but has also achieved substantial financial prosperity.

Some Cuno Amiet images

Biography/Timeline

1827

Amiet was born in Solothurn, and was the son of the chancellor of the canton of Solothurn, Josef Ignaz Amiet (1827–1895). He attended the Kantonsschule Solothurn, where he graduated with the Matura in 1883. After studies with the Painter Frank Buchser, he attended the Academy of Fine Arts Munich in 1886–88, where he befriended Giovanni Giacometti. In 1888–92, Giacometti and Amiet continued their studies in Paris, where Amiet studied at the Académie Julian under Adolphe-William Bouguereau, Tony Robert-Fleury and Gabriel Ferrier.

1892

Dissatisfied with academic art, Amiet joined the Pont-Aven School in 1892, where he learned from Émile Bernard, Paul Sérusier, Roderic O'Conor and Armand Séguin. In Pont-Aven, he came to prefer the use of pure colour to tonal painting. In 1893, Amiet's lack of funds forced him to return to Switzerland, where he set up a studio in Hellsau. A first exposition at the Kunsthalle Basel in 1894 was generally ill-received. In the 1890s, Amiet continued to collaborate with Giacometti and had only modest commercial success, until he was commissioned in 1898 to paint a portrait of Ferdinand Hodler, whose work would later exert a great influence on Amiet. His fortunes improved greatly in the 1900s, when he began participating in numerous European expositions and competitions, winning a silver medal in the Exposition Universelle for his work Richesse du soir (1899).

1898

After his 1898 marriage to Anna Luder von Hellsau (d. 1951), Amiet moved to Oschwand, where his house became a meeting place for artists and Writers such as Wilhelm Worringer, Adolf Frey, Hermann Hesse, Arthur Weese, and Samuel Singer, and where he taught students such as Werner Miller, Marta Worringer, Hans Morgenthaler, Hanny Bay, Marc Gonthier, Albert Müller, Josef Müller, Walter Sautter, Werner Neuhaus, and Peter Thalmann.

1920

In the late 1920s and in the 1930s, Amiet executed numerous wall paintings. A 1931 fire in the Münchner Glaspalast destroyed 50 of his most significant works. Amiet was a member in the Swiss Federal Art Commission (1911–15 and 1931–32), a board member of the Gottfried Keller Foundation (1934–48) and of the Kunstmuseum Bern (1935–48). He was awarded an honorary doctorate from the University of Berne in 1919. He died in 1961 in Oschwand.

1940

While Amiet took up themes of expressionism, his works retain a sense of harmony of colour grounded in the French tradition. He continued to pursue mainly decorative intentions at the beginning of the 20th century, but his late work of the 1940s and 50s is focused on more abstract concepts of space and light, characterised by dots of colour and a pastel brilliance.

2013

Amiet created more than 4,000 paintings, of which more than 1,000 are self-portraits. The great scope of his work of 70 years, and Amiet's predilection for experimentation, make his œuvre appear disparate at first – a constant, though, is the primacy of colour. His numerous landscape paintings depict many winter scenes, gardens and fruit harvests. Ferdinand Hodler remained a constant point of reference, although Amiet's artistic intentions diverged ever further from those of Hodler, whom Amiet could and would not match in his mastery of monumental scale and form.

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