Dion Beebe Net Worth

Dion Beebe is an Australian cinematographer and camera department professional who has worked on a variety of films, including Collateral (2004), Hoi Uc Cua Mot Geisha (2005) and Nine (2009). He is married to Unjoo Moon and they have one child. He is known for his creative and innovative approach to cinematography.
Dion Beebe is a member of Cinematographer

Age, Biography and Wiki

Who is it? Cinematographer, Camera Department
Birth Year 1968
Birth Place  Brisbane, Queensland, Australia, Australia
Age 55 YEARS OLD
Birth Sign Pisces
Occupation Cinematographer
Years active 1992–present
Awards Academy Award for Best Cinematography Memoirs of a Geisha 2005 BAFTA Award for Best Cinematography Collateral 2004 Memoirs of a Geisha 2005 ASC Outstanding Achievement in Cinematography Memoirs of a Geisha 2005

💰 Net worth

Dion Beebe, a renowned cinematographer and camera department professional hailing from Australia, is expected to have a net worth ranging from $100,000 to $1 million in the year 2024. With his exceptional skills and expertise in capturing breathtaking visuals on screen, Beebe has gained recognition and critical acclaim in the film industry. His extraordinary talent has allowed him to work on numerous successful projects, contributing to his overall financial success. As a highly respected figure in his field, Beebe continues to leave a lasting impression on audiences worldwide with his remarkable cinematography skills.

Some Dion Beebe images

Biography/Timeline

1968

Dion Beebe A.C.S. A.S.C. (/ˈdɒn ˈbbi/ DEE-on BEE-bee; born 1968) is an Australian-South African Cinematographer. Originally from Brisbane, Australia, his family moved to Cape Town, South Africa in 1972. Dion studied cinematography at the Australian Film Television and Radio School from 1987 to 1989.

2006

Beebe was nominated for an Academy Award and BAFTA for his work on Rob Marshall's Chicago, and won the 2006 Academy Award for his work on the director's later Memoirs of a Geisha. He is known for his use of stylized, highly saturated colour palettes and for his experimental use of high-speed digital video on Michael Mann's Collateral (for which he won a BAFTA for Best Cinematography) and Miami Vice. He is also a member of the Australian Cinematographers Society (ACS) and the American Society of Cinematographers (ASC).