Carlin Glynn Net Worth

Glynn has also worked as an editorial department and producer. She is a talented and experienced performer who has been in the entertainment industry for over five decades.
Carlin Glynn is a member of Actress

Age, Biography and Wiki

Who is it? Actress, Editorial Department, Producer
Birth Day February 19, 1940
Birth Place  Cleveland, Ohio, United States
Age 84 YEARS OLD
Birth Sign Pisces
Occupation Actress, singer
Years active 1975–2006
Spouse(s) Peter Masterson (m. 1960)
Children 3, including Mary Stuart Masterson

💰 Net worth

Carlin Glynn, a versatile talent in the United States, has made significant contributions as an actress, editorial department member, and producer. With her dedication and skills, Glynn has become a notable figure in the entertainment industry. As of 2024, her net worth is estimated to be around $100,000 to $1 million. This range reflects her successful career and various roles she has taken on throughout the years. Glynn's talent and determination have undoubtedly paved the way for her continued success and growth in the industry.

Some Carlin Glynn images

Biography/Timeline

1975

Glynn's first movie appearance was as Mae Barber in Three Days of the Condor (1975). She is also known for her role as mother to Molly Ringwald's character in Sixteen Candles (1984), and as daughter-in-law to Geraldine Page's character in The Trip to Bountiful (1985). Her other film credits include roles in Resurrection (1980), Continental Divide (1981), The Escape Artist (1982), Gardens of Stone (1987), Blood Red (1989), Night Game (1989), Convicts (1991), Judy Berlin (1999) and Whiskey School (2005).

1979

A life member of The Actors Studio, Glynn made her belated but Tony-winning Broadway debut - as 1979's Outstanding Featured Actress in a Musical - portraying "Mona Stangley" in the original production of The Best Little Whorehouse in Texas, a musical comedy adapted by Glynn's husband and fellow Studio member, Peter Masterson, from a non-fiction article published in Playboy Magazine, in collaboration with the article's author, Larry L. King, and Songwriter Carol Hall, and developed at length in workshop performances at the Studio. Glynn's award-winning performance would be reprised in the 1982 revival.